Search results for "media art"

showing 6 items of 6 documents

Il gioco della vita

2019

BOB di Ian Cheng è un film interattivo gestito da un'intelligenza artificiale secondo la logica degli automi cellulari studiati da Stephan Wolfram

Settore L-ART/06 - Cinema Fotografia E TelevisionePostcinema nuovi media media art
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Generatore di sentimenti

2023

A brief portrait of Kamilia Kard and her work Toxic Garden about perfomance and metaverse.

Settore L-ART/06 - Cinema Fotografia E Televisionepostcinema digital art new media art metaverse digital performance
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Case Studies of Digital and Media Art 56°56'51"N 24°6'23"E

2016

Contemporary media art has experienced very dynamic changes in the forms of its artistic expression, as well as in the perception of artworks by the audience and even art theoreticians. Questions about this new art form range from topics such as the unconventional nature of the elements constituting the artwork (program code, audience participation etc.), and the difficulties of displaying and preserving non-material art, to its proper place in the artistic landscape from the viewpoint of contemporary visual art. This paper aims to discuss the abovementioned questions through several case studies of various Latvian digital and contemporary media art areas.

media_common.quotation_subjectTheory of FormsLatvianProgram codeArtlanguage.human_languageVisual artsExpression (architecture)Digital artPerceptionlanguageAudience participationMedia artsmedia_common2016 20th International Conference Information Visualisation (IV)
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Open Source and New Media Artists

2007

This paper deals with the open source method practiced within the new media art context. I present a case study on an international festival, PixelACHE 2005, which was organized by and for new media artists and served as a platform for demonstrations of new media projects and as a meeting place for experimental new media artists. In this article I discuss how new media artists adapted the open source ideology. Open source is seen both as a more liberal method of distribution and as an open joint creative process. I was particularly interested in what kind of motives the new media artists had for taking part in the PixelACHE festival and the joint artistic creative process. In my analysis, I…

open source artexperimental new media artCreative Commons licensing
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Refugee testimonies enacted : voice and solidarity in media art installations

2018

This article examines how two media art installations in which celebrity actors enact refugee storytelling create awareness of the complexities of representation and solidarity with refugees. The celebrity actor produces familiarity, or “audibility,” for contents of the stories. Yet at the same time, the familiarity of the actor alerts the visitor to the politics of listening. The artworks therefore produce the potential for ethical listening, which requires interrogation into the privileges of the listener. The artworks produce a kind of sociality different from that of typical celebrity advocacy. Instead of being at the center of attention, the actors’ presence draws critical attention to…

representationRefugee050801 communication & media studiesmedia artRepresentation (politics)pakolaisuus0508 media and communicationsrepresentaatiosolidaarisuuskertomuksetsolidaritySociologyta518Media artsCommunication05 social sciencesMedia studiesstoriesta6132refugeesSolidarity050903 gender studiesmediataide0509 other social sciencespakolaisetStorytelling
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Recent challenges to contemporary art databases. Digitisation Practices and Archive Development in Artist Estates

2021

Over the last decade, databases have appeared as the only solution for artist estates and collections seeking to categorise and disseminate their artworks and thereby enhance their position and reputation. Grounded in empirical work and scholarly research, this paper examines the archive digitisation practices at three high-ranking art organisations – Douglas Gordon’s studio, the Sigmar Polke Estate and the Julia Stoschek Collection – to show how the creation of databases has become central in conforming to best practices and providing valuable information to the art market. In revealing the mindset, requirements and conditions of such digitisation projects, this text offers a reflection on…

video art relational database media art archiving systems
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